TRAN.SCENDER® HÔTEL Yokohama

Type_

Hotel

Location_

yokohama Kanagawa

Status_

Completed /Nov.2025

Structure_

RC/S

Story_

B1F+6F

Area_

2530.25㎡

Client_

TAISEI COPORATION(Owner)
Profitz(Project management)

Collaborators_

ORANGE&PARTNERS(Branding)
Solare Hotels and Resorts(Hotel Management)
GRAPHITICA(LOGO+SIGN)

Artists
baanai(Painting|Lounge)
Waku Fukui(Neon|Entrance)
Rintaro Kanemoto(Photo|Guest rooms)
Tomoka Naka(Calligraphy|THE HOUSE)
Hiromine Nakamura(illustration|Merchandise)

Photo_

Kenta Hasegawa
TRAN.SCENDER® HÔTEL

横浜中華街の中心地に建つ、築36年の老舗中華料理店(RC造)と事務所兼倉庫(S造)。性質の異なる2棟を統合し、ホテルへとコンバージョンしたプロジェクトです。 企画コンセプトの「REVIVE(再生)」に基づき、既存の躯体や素材を活かしながら、増築や構造的工夫を施すことで、場所の記憶を継承した新たな滞在空間を設計しました。

外観|

装飾的な街並みに対し、あえてシンプルかつシックな佇まいとすることで街のアイコニックな存在となることを意図しました。

シルクロード側の外壁は垂れ壁を20cm解体。1Fラウンジのサッシのトップラインを上げることで、内部からの視覚的な開放感を創出すると同時に違法状態であった条例をクリアしています。

通りに対しては、ホテルのキーカラーである赤のリシン吹付壁を配し、さらに奥には抽象化した竹の塗装を施すことで、奥行きを感じる構成としました。歩道との高低差を活かしたレイアウトは、街を歩く人々を引き込む「舞台」のような効果を生んでいます。

1階ラウンジ|

もともと中央にあった螺旋階段を撤去し、吹き抜けを閉塞。上階を客室化することで床面積の有効活用を図りました。新たに設けた床面には、竹を型枠に用いたコンクリート打放しを採用。竹のテクスチャを構造体に転写することで、中華の伝統的なマテリアルを現代的な意匠へと昇華させています。

地下1階 TOJI SAUNA

地下1階には「ルフロ」監修のミストサウナがあります。地下資源(温泉成分)を取り入れるという背景から着想し、地層に見立てた空間や鉱石のような素材を取り入れました。休憩ラウンジのカウンターには、解体時に発生したコンクリート瓦礫を再利用。コンバージョンならではの素材循環を表現しています。

客室|

全34室の客室は、建物の複雑な形状を整理しつつ、かつてのバルコニーやダムウェーターシャフトを塞ぎ居室化することで、事業に必要な部屋数を確保しました。

 採光が不足する箇所には外壁に新たな開口部を設け、法規基準をクリアするとともに居住性を向上させています。

 インテリアには既存店舗の装飾や建具を再利用。新旧の要素を織り交ぜることで、この建物でしか成立し得ない独自のデザインを実現しました。

法的に困難な条件下において、事業性を担保しながら既存の建物や営みへの敬意を払う。 時間の蓄積された素材や場所のコンテキストを丁寧に紐解き、現代の感性と交差させること。

私たちが目指したのは、単なる建物の更新ではなく、そこに積み重なった記憶を、未来へと繋ぐ試みです。

Located in the heart of Yokohama Chinatown, the project involved the conversion of two existing buildings—a 36-year-old reinforced-concrete building that had long housed a Chinese restaurant, and an adjacent steel-framed office and warehouse—into a single hotel.

Based on the project concept of “REVIVE,” we sought to create a new place to stay while preserving the memory of the site. Existing structures and materials were retained wherever possible, while selective additions and structural interventions allowed the two buildings, originally different in both construction and character, to be integrated into a new whole.

Exterior

Against the highly decorative streetscape of Chinatown, we deliberately chose a simple and restrained architectural expression, aiming to create an iconic presence through contrast rather than ornament.

On the Silk Road side of the building, approximately 200 mm of the existing downstand wall was removed, allowing the top line of the first-floor lounge windows to be raised. This intervention opens up views from the interior while also bringing the existing condition into compliance with local regulations.

Facing the street, a wall finished in the hotel’s signature red creates a strong visual foreground, while an abstract bamboo motif painted further inside adds another layer of depth. By taking advantage of the level difference between the building and the sidewalk, the entrance becomes almost stage-like, drawing the attention of people passing through the street and inviting them into the hotel.

First-Floor Lounge

The spiral staircase that once occupied the center of the building was removed and the existing void was infilled, allowing the floor above to be converted into additional guestroom space and improving the overall efficiency of the building.

For the newly constructed floor surface, exposed concrete was cast using bamboo as formwork. By transferring the natural texture of bamboo directly onto the concrete, a material traditionally associated with Chinese culture is reinterpreted as a contemporary architectural expression.

B1F — TOJI SAUNA

The basement accommodates a mist sauna supervised by Le Furo. Inspired by the idea of drawing upon underground resources, including mineral components associated with hot springs, the space incorporates forms reminiscent of geological strata and materials with a mineral-like appearance.

In the relaxation lounge, concrete rubble generated during demolition was reused to form the counter. Rather than treating demolition waste simply as something to be discarded, the project gives it a new role within the architecture, expressing a cycle of materials made possible through conversion.

Guestrooms

The hotel contains 34 guestrooms. While rationalizing the complex geometry of the existing buildings, former balconies and dumbwaiter shafts were enclosed and converted into usable interior space in order to secure the number of rooms required for the project.

Where daylight was insufficient, new openings were introduced into the exterior walls, both to satisfy regulatory requirements and to improve the quality and comfort of the guestrooms.

Decorative elements and existing joinery from the former restaurant were also reused throughout the interiors. By combining these remnants with newly introduced elements, the design creates an environment that could only have emerged from the specific history and character of this building.

Working within complex legal and physical constraints, the project sought to maintain commercial viability while respecting both the existing architecture and the activities that had shaped the site over time.

Rather than erasing what was already there, we carefully traced the accumulated layers of materials, memories, and local context, bringing them into dialogue with a contemporary sensibility.

Our aim was not simply to renew the building, but to carry the memories embedded within it forward into the future.

BEFORE / AFTER

BEFORE / AFTER

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